Opulence is a 2022 circular acrylic painting by Rosana Auqué that explores abundance, continuity, and shared energy through fluid abstract movement and a deeply connected emotional presence.
Opulence
Year: 2022
Medium: Acrylic on canvas
Diameter: 100 cm
Private collection in Colombia
Opulence – A Study of Abundance Beyond the Material
“Opulence” by Rosana Auqué unfolds as a circular field of energy where abundance is not defined by possession, but by presence. Created in 2022 using acrylic on canvas, this work belongs to the Connection Collection, a body of work first presented in Santa Marta, the artist’s hometown.
Rather than representing luxury in its conventional sense, Opulence moves toward a more subtle and expansive understanding of richness. The composition suggests a continuous flow—waves that do not begin or end, but rather circulate, overlap, and resonate with one another. It is within this movement that the work proposes its central idea: true opulence exists in connection.
The circular format reinforces this notion. There is no hierarchy within the image, no privileged point of entry. The viewer is invited to experience the painting as a whole, to move through it visually in the same way one navigates relationships, memory, and life itself.
The Connection Collection and the Language of Energy
The Connection Collection marks a foundational moment in Rosana Auqué’s artistic trajectory. Presented in Santa Marta, this series explores the invisible threads that bind individuals, places, and experiences together.
In Opulence, these connections are translated into rhythmic forms that resemble waves or currents. They evoke both the sea—a constant presence in Santa Marta—and a more abstract idea of energetic exchange. Each line seems to respond to another, creating a visual dialogue that mirrors human interaction.
This is not a static painting. It operates as a system of relationships. Every gesture on the canvas implies another, suggesting that nothing exists in isolation.
Circular Form as a Conceptual Structure
The choice of a 100 cm diameter canvas is not merely aesthetic. It becomes part of the conceptual framework of the work.
The circle eliminates directionality. There is no top or bottom, no beginning or conclusion. This absence of structure reflects the artist’s understanding of life as a continuous, interconnected process.
In Opulence, the circular format functions as both container and message. It holds the movement within it, while simultaneously reinforcing the idea that everything is already connected.
Material and Gesture
Executed in acrylic on canvas, the painting captures immediacy and fluidity. The medium allows for quick, intuitive gestures, preserving the spontaneity of the artist’s movement.
These gestures are not random. They are guided by an internal rhythm, one that aligns with the conceptual core of the work: connection as an active, living force.
The surface reveals layers of interaction—marks that intersect, overlap, and dissolve into one another. This layering creates depth, not only visually, but conceptually.
Opulence as a State of Being
What Opulence ultimately proposes is a shift in perspective. Abundance is not external; it is relational.
The painting suggests that richness emerges from the ability to connect—to people, to places, to moments, and to oneself. In this sense, opulence is not something to acquire, but something to recognize.
By situating this idea within the context of Santa Marta, the work also carries a personal dimension. It reflects a return, a grounding, and an acknowledgment of origin as a source of meaning.
Frequently Asked Questions about “Opulence”
What is the meaning of “Opulence” by Rosana Auqué?
“Opulence” explores the idea of abundance as a state of connection rather than material wealth. It reflects how relationships, energy, and shared existence create a deeper form of richness.
What collection does “Opulence” belong to?
The artwork is part of the Connection Collection, first presented in Santa Marta, Colombia, where the artist explores themes of interconnectedness and energy.
What are the dimensions and materials of the artwork?
“Opulence” is an acrylic painting on canvas with a circular format measuring 100 cm in diameter.
Why is the painting circular?
The circular format removes hierarchy and direction, reinforcing the idea of continuity and interconnectedness that defines the work.
Where was the artwork conceptually developed?
The work is conceptually tied to Santa Marta, the artist’s hometown, where the Connection Collection was first presented and where the idea of energetic connection became central to her practice.