Press & Media Coverage — The World Speaks About Rosana Auqué
Rosana Auqué’s artistic journey has captivated audiences and media outlets around the world. Her work—radiant, introspective, and full of emotional light—has been featured in some of the most respected publications in the fields of art, fashion, and culture. From Forbes and Vogue to Times Monaco, Forbes France, and Man in Town, the international press has celebrated her as one of the most promising voices redefining the boundaries between painting, design, and contemporary expression.
Born in Santa Marta, Colombia, and shaped by her years in Milan and New York, Rosana embodies a cosmopolitan spirit that transcends borders. The media has described her as “The Balloon Girl”, an artist who transforms fragility into strength through her signature motif: the balloon—an ethereal metaphor of hope, resilience, and the soul’s infinite freedom. Each article, interview, and feature highlights a different facet of her creative universe: her devotion to beauty, her reflections on nature, and her belief in the transformative power of joy.
This section gathers the voices of those who have chronicled her evolution—from her early exhibitions in Colombia to her European shows and her latest artistic chapter in Manhattan. It stands as living testimony of a career built on authenticity, emotion, and the conviction that art can illuminate even the most uncertain times.
Through these press features, Rosana Auqué’s work continues to inspire new dialogues between art and humanity, reminding us that beauty, when born from sincerity, has the power to connect worlds.
Forbes: A New Vanguard of Italian Art
Rosana Auqué among the seven artists redefining Italy’s contemporary art scene, according to Forbes Magazine.
About this article
In Forbes magazine, Rosana Auqué is highlighted among the “Seven Artists Redefining Italy’s Contemporary Art Scene.” Written by journalist Stephan Rabimov, the article celebrates a new generation of Italian women who are shaping the future of art through innovation, courage, and emotional depth. Within this select group, Rosana stands out for her poetic vision and her signature use of the balloon—a symbol that embodies the beauty of impermanence, the tension between control and chaos, and the resilience of the human spirit.
The feature describes her as “The Balloon Girl,” an artist capable of transforming fragility into rebirth, as her balloons burst into fields of color and life. Through this metaphor, Forbes positions her as a bridge between painting, fashion, and philosophy—a creative force who unites Italy’s timeless artistic heritage with a contemporary sensibility rooted in joy, nature, and transcendence.
Her inclusion in this Forbes article marks a milestone in her international career, affirming her role as one of the voices giving new meaning to the dialogue between art and soul. Readers are invited to explore the full feature on Forbes.com, where Rosana’s artistic journey shines among Italy’s most visionary creators.
Read the full article on Forbes: 7 Artists Redefining Italy’s Contemporary Art Scene
Vogue México: The Future of Art and Fashion
Rosana Auqué personifies the future of art and fashion, according to Vogue México.
About this article
In its March 2024 feature, Vogue México shines a spotlight on Rosana Auqué as “the woman who personifies the future of art and fashion.” The article celebrates her as a cosmopolitan creative force whose work gracefully merges two worlds—painting and haute couture—under one shared philosophy: beauty as a form of truth and freedom.
The piece portrays Rosana as more than an artist: she is an innovator who sees clothing as an extension of her creative expression, a living canvas where art and identity meet. Her background at Istituto Marangoni in Milan and her current role as Executive Vice President at Bonacina 1889, the renowned Italian design house, reflect her unique ability to navigate effortlessly between the realms of fine art, design, and contemporary elegance.
Vogue highlights her signature motif—the balloon—as a symbol of humanity’s search for lightness, joy, and connection. Through her work, particularly “The Red Balloon,” she invites viewers to let go of control and embrace the beauty of impermanence. Her art becomes a mirror of the soul, a delicate dance between fragility and expansion, and a call to rediscover the divine essence in everyday life.
Ultimately, Vogue México presents Rosana Auqué as an artist redefining what it means to live creatively and authentically. Her voice resonates far beyond galleries or fashion houses; it becomes a reminder that joy and beauty are not luxuries but vital expressions of human existence.
Read the full article on Vogue México: Rosana Auqué: the woman who personifies the future of art and fashion
Forbes France: The Nature and Light of an Artist
Rosana Auqué — “The Balloon Girl”, a luminous artist with nature as her canvas.
About this article
In Forbes France, journalist Sabah Kaddouri introduces Rosana Auqué as “The Balloon Girl”, a radiant artist whose work captures the fragile beauty of nature and the infinite joy of existence. The feature, published in December 2023, portrays Rosana as a cosmopolitan soul—Italo-Colombian by heritage, shaped by her life in the Netherlands, England, and Italy—whose artistic language unites landscapes, skies, and color in a celebration of life itself.
Through an intimate interview conducted in Milan, Forbes France explores Rosana’s creative philosophy, her reverence for nature, and her deep connection to the Impressionist tradition of Claude Monet, whom she calls her spiritual mentor. For Auqué, painting the sky is both an act of gratitude and preservation—a way of transforming fleeting beauty into something eternal. Her balloons, vibrant and ethereal, rise above her canvases as symbols of joy, unity, and resilience.
The article also reveals her spiritual discipline: she begins each painting after meditation, letting her emotions guide her hand until the first brushstroke feels like the creation of a new life. She speaks of her art as a “gift of light” meant to remind us that nature is not a backdrop but the soul of existence itself.
In this Forbes France feature, Rosana Auqué stands as a messenger of beauty and hope—a modern artist whose voice bridges continents and whose paintings invite the world to rediscover joy through color and spirit.
Read the full article on Forbes France: Rosana Auqué: The Balloon Girl, nature as the backdrop of a luminous artist
Times Monaco: Creative Conversations. An in-depth interview with a talented artist — Rosana Auqué.
An in-depth interview with Rosana Auqué — “My balloons are not filled with helium, they are filled with soul.”
About this article
In Times Monaco, Rosana Auqué shares a profound and intimate reflection on her creative journey in an exclusive interview titled “Creative Conversations: An In-Depth Interview with a Talented Artist.” Through her own words, she reveals the essence of her artistic philosophy — the constant pursuit of beauty, freedom, and emotional truth.
The feature portrays Rosana as a visionary Italo-Colombian artist whose universe is filled with vivid colors, delicate symbolism, and spiritual purpose. She explains how her paintings, inspired by nature and meditation, become a dialogue between the soul and the world. Her recurring motif — the balloon — symbolizes human fragility, elevation, and the transcendence of life’s impermanence. “I am obsessed with balloons,” she says. “Through them I want to bring more joy and beauty to the world.”
Throughout the interview, Rosana speaks about her admiration for artistic masters such as Bosch, Kandinsky, Monet, and Botero, connecting her work to a lineage of creators who sought to capture both emotion and eternity. She also discusses her reinterpretation of Bosch’s The Garden of Earthly Delights, a piece she transforms into The Playground, a vision of paradise where humanity chooses joy, harmony, and sustainability.
Times Monaco highlights her move to Manhattan and her representation by Galleria Pananti in Florence — milestones that mark her transition toward an international career grounded in authenticity and artistic devotion. The article closes with a sentence that defines her creative spirit: “My balloons are not filled with helium — they are filled with soul.”
Read the full interview on Times Monaco: Creative Conversations: An In-Depth Interview with a Talented Artist Rosana Auqué
Hoy Diario del Magdalena: Connection Exhibition
Rosana Auqué returns to her roots with “Connection” — an exhibition celebrating human bonds and artistic origins.
About this article
In Hoy Diario del Magdalena, Rosana Auqué is celebrated for bringing her art back to her homeland with the exhibition “Connection.” The feature highlights the emotional and symbolic depth of this series, which explores the invisible threads that unite humanity. Presented at the Fundación SOS Arte Samario in Santa Marta, Connection marks a homecoming for the artist — a dialogue between her Colombian roots and her European evolution.
The article introduces Rosana as a cosmopolitan artist — born in Santa Marta, educated in the United Kingdom and Italy, and now based in Milan — whose work bridges continents through color, light, and emotion. Her artistic path began at the age of eleven, when she discovered in painting not just a form of expression but a spiritual practice. Since then, her fascination with nature and the sky has defined her signature style: luminous palettes, balanced compositions, and a profound sense of harmony.
In Connection, Rosana presents sixteen paintings that speak of unity, belonging, and the beauty of human connection. The exhibition symbolizes her reconnection with the essence of who she is and the landscapes that shaped her imagination. As the article poetically suggests, this collection represents the artist’s way of “speaking again about the essential — about the ties that bind us from the moment we are born.”
Through Connection, Rosana Auqué reaffirms her belief that art is a bridge between souls — a reminder that beauty, like connection, has no borders.
Read the full article on Hoy Diario del Magdalena: Exposición “Connection” — Rosana Auqué returns to her roots in Santa Marta
El Informador: “Connections” Exhibition at the Magdalena Cultural Center
Rosana Auqué unveils “Connections” – a collection that explores beauty, vulnerability, and the divine link between color and nature..
About this article
In El Informador, Rosana Auqué is celebrated for her exhibition “Connections”, inaugurated at the Centro Cultural Magdalena in Santa Marta. The feature captures the emotion of her return from Milan to her hometown, presenting sixteen paintings that invite viewers to rediscover the beauty of connection — with oneself, with others, and with the natural world.
The article describes Connections as a series rooted in the essential human desire to bond authentically. Each piece reflects Rosana’s luminous vision, her fascination with the skies, and her devotion to expressing joy through color. She writes: “The illusion with which I face each new day in my country is reflected in every painting of this series. Through them, I seek to reveal intrinsic beauty through the connection of colors and forms, which together demonstrate the divine relationship between color and nature.”
Circular canvases —her signature format— dominate the exhibition, enveloping viewers in compositions of fluid energy and vibrant harmony. Psychedelic flowers emerge as metaphors for trust, flow, and emotional openness: symbols of real human connection. Influenced by the lyricism of Monet and the textures of Klimt, Rosana’s art embodies both spiritual and aesthetic richness, merging music, dreams, and emotion into color.
El Informador portrays her as a painter who transforms everyday sensations into timeless visions — a creator devoted to beauty in every form.
Read the full article on El Informador: El Centro Cultural Magdalena presents the exhibition “Connections”
Hoy Diario del Magdalena: “Connections” Captivated Everyone.
Rosana Auqué’s exhibition “Connections” draws admiration and emotion in Santa Marta, celebrating art as a bridge between roots, beauty, and human connection.
About this article
In Hoy Diario del Magdalena, Rosana Auqué’s exhibition “Connections” is portrayed as a radiant success — an evening where art, emotion, and belonging came together. The opening at the Centro Cultural del Magdalena, organized by Fundación SOS Arte Samario, gathered art lovers, collectors, and cultural figures who celebrated Rosana’s return from Milan to her homeland of Santa Marta.
The article highlights that Connections consists of sixteen paintings through which Rosana seeks to “speak again about what is essential — the bonds that connect us from birth.” Her works, filled with movement and chromatic harmony, invite the viewer to reflect on the profound need for authentic connection. “The joy I feel each day in my country is present in every painting,” she explains. “Through them, I show the intrinsic beauty born from the divine relationship between color and nature.”
Vibrant circular canvases and psychedelic flowers dominate the collection, embodying flow, trust, and emotional openness — the essence of true connection. The piece also recognizes her influences, from Claude Monet’s lyricism to Gustav Klimt’s golden richness, and her ability to translate melodies, dreams, and sensations into visual poetry.
Hoy Diario del Magdalena celebrates Rosana as a symbol of artistic identity and cultural pride — a cosmopolitan artist whose light bridges Colombia and Italy, revealing that beauty, like connection, transcends geography and time.
Read the full article on Hoy Diario del Magdalena: [‘Connections’ captivated everyone at the Centro Cultural del Magdalena]
Man In Town: “FUN” — Rosana Auqué’s First Solo Exhibition in Milan
Between joy and artistry, Rosana Auqué debuts her first solo exhibition “FUN” in Milan, celebrating color, culture, and creative freedom.
About this article
Man In Town introduces Rosana Margarita Auqué’s first solo exhibition in Milan — “FUN”, a vibrant showcase of artistic evolution and cross-cultural inspiration. The article portrays her as a young Colombian-born artist whose creative journey spans Cambridge, Bogotá, and Milan, blending academic discipline with heartfelt spontaneity.
Held at P’n’P Communication in the heart of Milan, FUN reveals four years of exploration in color, nature, and joy. Rosana describes this phase of her work as an invitation to rediscover the beauty of living without fear or limits: “Never underestimate the power of fun,” she says. “Life is meant for sharing joy, energy, and awareness.”
Through her paintings — luminous dialogues between the ordinary and the extraordinary — Rosana bridges her Colombian roots, rich in warmth and chromatic intensity, with Italy’s conceptual rigor and refined aesthetic. She explains: “My greatest interest is to find balance between color and form. The happiness that color brings is unique, and that sense of freedom is a reflection of my Colombian spirit, while Italy gave me the discipline of form and structure.”
The exhibition also emphasized the synergy between art, music, and wine, featuring a special collaboration with Fasol Menin Winery. This partnership underlined the show’s philosophy: art as celebration, beauty as connection, and creativity as an act of joy.
Read the full article on Man In Town: [“FUN: The First Solo Exhibition in Milan by Rosana Margarita Auqué”]
Man In Town: “The Artist of the Sky and Flowers”
Rosana Auqué, the artist of the sky and flowers — an intimate interview about her creative roots, nature, and artistic mission.
About this article
In El Informador, Rosana Auqué is featured for her participation in the 78th Venice Film Festival, one of the most prestigious cultural events in the world. The Colombian-Italian artist was invited by the Italian magazine Man In Town to create and personally present a series of paintings that served as artistic awards for the festival’s winning actors, including Elisa Maino, Ludovica Francesconi, and Giancarlo Commare.
The article highlights how Rosana drew inspiration from the magnificence of Venice — its history, art, and architecture — to create her pieces. For the first time, she incorporated pure gold into her paint, a technique symbolizing the city’s splendor and timeless elegance. “The opulence of Venice captivates me,” she said. “It’s a magical city, and I wanted to preserve some of its richness and beauty within my paintings.”
Her work, characterized by luminosity and refinement, has been compared by Italian critics to that of Gustav Klimt, particularly for her use of gold and ornamental composition. In this artistic collaboration, Rosana’s creations became not only works of art but also symbols of cultural celebration, bridging the worlds of film and fine art under the Venetian sky.
The feature concludes by hinting at her upcoming exhibitions in Venice and Milan — a continuation of her growing artistic presence across Europe.
Read the full article on El Informador: [Rosana Auqué’s art at the Venice Film Festival]
El Informador: Rosana Auqué, the Artist of Skies and Flowers
Nature, beauty and classical music inspire her largest painting to date.
About this article
Colombian-Italian artist Rosana Auqué, currently based in Milan, is widely recognized for her poetic interpretation of skies, flowers, and natural landscapes. According to El Informador, her artistic journey was deeply reshaped by the 2020 lockdown in Italy, during which she turned to classical music as her muse. Listening to Vivaldi, Mozart or Einaudi, she imagined vast skies and delicate floral patterns — now central to her style.
This reflective period gave birth to a new phase in her career, one marked by emotional depth and a renewed connection with nature. Her paintings, often created in moments of solitude and accompanied by music, convey a commitment to harmony and beauty as essential forces for human growth and healing.
While in Santa Marta, Colombia, Rosana created her largest artwork to date, a 3.40 x 2 meter piece titled “Arrecifes”, inspired by the underwater flora of the Magdalena region. The painting is now part of a private collection.
Shortly after finishing “Arrecifes”, Rosana returned to Italy to participate in a major cultural milestone: she was selected to create the official award paintings for the 78th Venice Film Festival, gifted to the actors and winners during the closing ceremony.
Her vision goes beyond galleries—she dreams of returning to Colombia to open a foundation for artistic education, firmly believing that art and culture are essential to building a better, more conscious society.
Click here to read the full article on El Informador: [“Rosana Auqué, la artista de los cielos y las flores”]
360 Radio: “Art, My Deepest Connection with the World”
Rosana Auqué reflects on how art became her sanctuary — a space of beauty, resilience, and rebirth during uncertain times.
About this article
In 360 Radio, Rosana Auqué shares a deeply personal reflection in her article “Art, My Deepest Connection with the World.” Written in the midst of the 2020 global pandemic, this piece reveals her intimate relationship with art as a refuge — a safe harbor where hope and creativity overcome fear and uncertainty.
From her home in Milan, she describes how painting landscapes and flowers became her way to reconnect with life. Inspired by Voltaire’s phrase “We must cultivate our garden”, Rosana turned her canvas into a metaphorical space of care and renewal, painting the first work in her collection while listening to Vivaldi’s Spring. She recalls how music and art together lifted her spirit: “They have the power to elevate both the one who creates and the one who contemplates with open, sensitive eyes.”
In her words, beauty is not a luxury but a necessity — “the force that will save humanity.” Through her reflections, she calls on society to restore the place of culture in daily life, as the foundation for a more conscious and compassionate world.
The article closes with her lifelong mission: to bring beauty to others and inspire future generations in Colombia through art and education. “It is education that gives power — the ability to inspire and to build a better world.”
Read the full article on 360 Radio: [“Art, My Deepest Connection with the World” by Rosana Auqué]
El Informador: “The Awakening of Woman”.
Rosana Auqué presents “The Awakening of Woman” — a collection celebrating feminine strength, beauty, and self-discovery.
About this article
In El Informador, Rosana Auqué is featured for her exhibition “The Awakening of Woman”, a collection that seeks to restore the essence of femininity and help women reconnect with their inner strength. The article highlights her return to Santa Marta after exhibiting in Barcelona and the Netherlands, where her art captivated European audiences with its emotional depth and refined aesthetic.
Through this project, Rosana introduced a new exhibition format — a showroom experience — blending visual art, design, and fine jewelry in a warm, social atmosphere. Each piece in “The Awakening of Woman” reflects her interest in fashion and textiles, showcasing the beauty and resilience of women through color, texture, and symbolism.
The upcoming event, hosted at Bahía Linda in Santa Marta, was open to the public and featured collaborations with international brands, French wines, and local designers. The fusion of art and lifestyle reflected Rosana’s unique vision: to make beauty accessible and meaningful in every form.
El Informador described her as an emerging artist who had already conquered Europe, now returning home to share a message of empowerment and joy through her art.
Read the full article on El Informador: [Rosana Auqué arrives in Santa Marta with “The Awakening of Woman”]
El Tiempo: Rosana Auqué’s Early Triumph in Colombia’s Art Scene
A bold and colorful exhibition reflecting freedom, time, and emotional intensity.
About this article
In a milestone moment early in her career, Rosana Auqué presented an exhibition featuring 20 powerful works created over three years between England, Bogotá, and her native Santa Marta. At just 20 years old, her unique abstract and expressionist style—filled with vibrant colors, strong lines, and fluid forms—earned the praise of Colombian art critics and established her presence in the national art landscape.
The works explore freedom and the passage of time as central themes. “Freedom is the most beautiful, human, and necessary right,” said Rosana, explaining how her paintings are a call for emotional and conceptual openness, unbound by limitations. Her preferred media include oil, acrylic, and enamel on canvas, as well as textiles, allowing her to experiment with contrast, movement, and texture.
This exhibition, covered by Colombia’s leading newspaper El Tiempo, signaled the beginning of a new chapter in Rosana’s international journey, with upcoming shows already planned for Barcelona, Bogotá, and Santa Marta in the following year.
Click here to read the full article on El Tiempo:
[“Rosana Auqué: una joven promesa del arte abstracto colombiano”]
El Informador: “When Colors Speak”
Rosana Auqué's early work praised for its emotional power, vibrant palettes, and the poetic voice of her brushstrokes.
About this article
In a heartfelt column published by El Informador, titled “Los Colores Tienen Voz” (Colors Have a Voice), writer Andrés Londoño Botero celebrated a young Rosana Auqué as a rising force in Colombian art. The article reflects on her 2011 solo exhibition in Santa Marta, which featured twenty works brimming with bold colors and expressive forms.
With evocative comparisons to masters like Joan Miró, Picasso, and Colombian icons such as Obregón, Manzur, and Rayo, the author describes Rosana’s technique as one that “gives voice to color” — her brushstrokes become stories, her canvases puzzles that invite emotional interpretation. Her work was praised not only for its aesthetic beauty but for reviving the Caribbean soul through a modern artistic lens.
This exhibition marked one of her earliest public recognitions in the national press, capturing the attention of both art lovers and cultural institutions. Even then, critics recognized Rosana’s potential to become one of the defining painters of her generation.
Click here to read the full article on El Informador:
[“Los colores tienen voz” — by Andrés Londoño Botero]
El Informador: Rosana Auqué presents her debut collection ‘Colors Have a Voice’.
An early solo exhibition marked by vibrant textures, bold shapes, and emotional expression.
About this article
Back in 2011, Colombian artist Rosana Auqué Hidalgo presented her breakthrough exhibition “Los colores tienen voz” (Colors Have a Voice) at the Fundación Pro Sierra Nevada de Santa Marta. At only 19 years old and still a student at Universidad de Los Andes, Rosana had already studied painting in Cambridge, UK, and developed a signature style that blends expressionism, abstraction, and emotional resonance.
The exhibition showcased works full of light, color, and free-flowing shapes, offering a striking emotional palette. Her paintings were noted by critics for their resemblance to the linework and form of Catalan masters, especially Picasso. In fact, following the success of this exhibition, plans were already underway to organize a future show in Barcelona.
Her use of color — bold, unfiltered, and organic — expressed an inner vitality and artistic independence rarely seen at such an early stage in an artist’s career. This solo show marked a defining moment in Rosana’s creative journey, as she transitioned from observational work to fully embracing her imaginative, personal voice.
Click here to read the full article on El Informador:
[“La artista Rosana Auqué presenta su colección 'Los colores tienen voz’”]
What the Media Is Asking About Rosana Auqué
Why is Rosana Auqué frequently mentioned in international media?
Rosana’s work bridges cultural, emotional, and artistic dimensions, making her a standout figure in the contemporary art world. Her exhibitions in cities like Milan, Venice, and New York, as well as her symbolic use of color and balloons, have attracted the attention of renowned publications such as Forbes, Vogue, Times Monaco, and El Tiempo.
What themes do journalists highlight most in their coverage of Rosana Auqué?
Most articles focus on her emotional symbolism, her blend of Italo-Colombian identity, and the spiritual undertone of her paintings. The recurring motif of the balloon, her reinterpretation of classical works like The Garden of Earthly Delights, and her reflections on beauty, connection, and nature are frequently discussed by art journalists.
Has Rosana’s work been recognized outside the traditional art world?
Yes. Her paintings were selected to be official awards at the 78th Venice International Film Festival, bridging fine art with the world of cinema. Additionally, her art has been featured in lifestyle and cultural platforms that reach beyond art circles, including luxury and fashion media.
Are there any quotes from press interviews that define Rosana’s artistic philosophy?
One of her most cited quotes, from Times Monaco, is:
“No, they are not filled with helium — they are filled with soul.”
This statement, referring to her iconic painted balloons, reflects her deep belief in infusing emotion, spirit, and meaning into every brushstroke.
Where can I find the full articles that mention Rosana Auqué?
You can explore her full media archive on this page, including links to complete articles from Forbes, Hoy Diario del Magdalena, El Informador, 360 Radio, and others. Each entry includes a brief summary, a featured image, and a direct link to the publication.
